Griffiss International Sculpture Garden - Park Map
|Artist: Issac Witkin|
Isaac Witkin (1936-2006). Born in Johannesburg, South Africa, Witkin enjoyed a Sculpture Space Residency in Utica in 1977. The piece on loan at Griffiss, Vermont II, is unique in a distinguished series: Vermont I, 1965, is owned by the Tate Gallery, London, United Kingdom, acquired circa 1972, Vermont III, is in the British Arts Council collection; andVermont IV is in a private collection in Switzerland. After graduating from St. Martins School of Art in London in 1960, where he studied with Anthony Caro. Witkin apprenticed with sculpture great Henry Moore. In 1965 Witkins bright green iconic work Volution became a symbol of the revolution in contemporary sculpture, and was awarded first prize in the Paris Biennale. Isaac Witkin was also included in the seminal 1966 exhibition Primary Structures at the Jewish Museum in New York, which helped launch his international career. Witkin then emigrated to the United States to replace his former teacher Anthony Caro as visiting professor at Bennington College, where he would remain for the next 13 years. Vermont II, created while Witkin was at Bennington, is inspired by the Green Mountain pastoral landscape, while its bright colors are decidedly Pop Art.
After creating abstract welded steel works in the 1970s, Witkin began working in bronze, ultimately inventing his own sculptural language, using the technique of pouring molten metal onto a flat surface or a sand mold to create abstract shapes, a technique Witkin called drawing with bronze. By 1985, Grace Glueck of The New York Times wrote that Isaac Witkin long ago worked his way out of aesthetic debt to such mentors as Anthony Caro and David Smith and into a powerful lyrical expression of his own". Witkins 2006 obituary in the New York Times described him as a true innovator in abstract metal sculpture.
In 2007, Isaac Witkins Vermont II was included in a retrospective exhibition entitled. The New Generation Revisited" at the New Art Centre in England, and to celebrate the shows opening, it was chosen by the Times of London for a full page spread entitled Image of the Day